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david whyte 19.jpg


P O E T R Y:  Language against which we have no defenses



P O E T R Y:  Language against which we have no defenses

Sometimes everything
has to be
 inscribed across
   the heavens

so you can find
the one line
already written
inside you.


- David Whyte
from "The Journey"

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David Whyte makes the reading of poetry a matter of life and death.
— Pat Conroy, author of Prince of Tides


Good poetry begins with
the lightest touch,
a breeze arriving from nowhere,
a whispered healing arrival,
a word in your ear,
a settling into things,
then, like a hand in the dark,
it arrests the whole body,
steeling you for revelation.

In the silence that follows
a great line,
you can feel Lazarus,
deep inside
even the laziest, most deathly afraid
part of you,
lift up his hands and walk toward the light.



if you move carefully
through the forest,

like the ones
in the old stories,

who could cross
a shimmering bed of leaves
without a sound,

you come to a place
whose only task

is to trouble you
with tiny
but frightening requests,

conceived out of nowhere
but in this place
beginning to lead everywhere.

Requests to stop what
you are doing right now,

to stop what you
are becoming
while you do it,

that can make
or unmake
a life,

that have patiently
waited for you,

that have no right
to go away.

The poet lives and writes at the frontier between deep internal experience and the revelations of the outer world. There is no going back once this frontier has been reached; a new territory is visible and what has been said cannot be unsaid. 

Poetry is a break for freedom. In a sense all poems are good; all poems are an emblem of courage and the attempt to say the unsayable; but only a few are able to speak to something universal yet personal and distinct at the same time; to create a door through which others can walk into what previously seemed unobtainable realms, in the passage of a few short lines.


Those who will not slip beneath
     the still surface on the well of grief,

turning down through its black water
     to the place we cannot breathe,

will never know the source from which we drink,
     the secret water, cold and clear,

nor find in the darkness glimmering,

     the small round coins,
          thrown by those who wished for something else.






Work is a very serious matter indeed. We freight our work with meaning and identity, and fight hard and long for some kind of purpose in our endeavors. Vocation is a moveable frontier between what we want for ourselves and what the world demands of us.


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Sample sessions

For booking inquiries, please contact Julie Quiring, 360.221.1324 or julie@davidwhyte.com.


David Whyte has been bringing his unique blend of poetry and insight into the world of work for more than twenty years. His work in organizations around the world takes many different forms, from formal dinner talks and conference keynotes, to retreats and seminars. He has an especial affection for his long term work inside specific organizations, often over years, building a critical mass of executives and leaders who have learned through his work, the language, metaphors and urgent necessities of conversational leadership. His sessions have been woven into long term executive leadership programs with organizations such as Mattel, Standard Chartered Bank, The Gap, The Boeing Company, Thames water, Novartis, Astrazenica, RWE and the Royal Air Force. He is a faculty member of Templeton College, Oxford University, where he is an Associate Fellow.

His collaborations include work with Richard Olivier, using Shakespeare's plays, especially Hamlet, as a template for the exploration of some of the difficult dynamics of contemporary leadership. His work has been featured in Leader to Leader, Fast Company, and The Harvard Business Review.


David Whyte participates in theological conferences and retreats through keynote lectures, workshops and discussion panels with practitioners and theologians of many traditions. Using his own and other’s poetry, he brings the understandings of the poetic tradition to bear on many of the great cyclical questions of existence: how we see our lives, and our deaths; how we view others and their presence or absence; and, perhaps most importantly, what we dare to believe and what we are afraid of believing: an honest appraisal of our relationship to God, the natural world, darkness, the appearance and disappearance of form and friendship and the difficult apprenticeship to our own disappearance.


Probably the most inspirational session of the whole course. Whoever decided to include this in the program should be congratulated. David’s view of life and business was a brilliant complement to the rest of the program.
— Participant, Novartis Leadership Program


For more than twenty years, David Whyte has been developing a body of work and a series of seminars focused on the conversational nature of leadership in today’s world. He notes especially that most executives are promoted out of their original core technical competency and into the field of key human relationships, relationships that are mostly sustained through holding necessary and courageous conversations.

David brings the insights, focus and courage in the poetic tradition to bear on these necessary conversations and lays out the precise steps that individuals must take when they attempt to start a real conversation and then keep it alive through time and tide in the life of an organization. His work is compelling and many have said riveting, his recitation and explication of poetry creates a real physical sense that individuals are grappling with the unspoken truths of life and leadership that are often left unspoken and that many have difficulty even articulating.

He especially looks at the necessity for a private but courageous self-examination and self-knowledge. He looks at the way this foundational interior conversation enables those in positions of responsibility to make sense of the hundreds of exterior public conversations, which can entrap and besiege them. His work is not only sustaining and nourishing for individuals irrespective of the organization for which they work, but also revitalizing and emboldening for those who work together day after day and who wish to bring a fresh perspective and a fresh language to their shared endeavors.

David Whyte just gave our firm the best presentation I have ever heard in a television and PR career of 23 years. The feedback has been phenomenal.
— Head of Corporate Affairs, Standard Chartered Bank


David Whyte’s work initially found its way into the world outside of the traditional channels available to poets. Until the last few years, he was unknown in the University English Department or small literary magazines where poets often make their start. His ability to memorize poetry, his own and others, and bring it to bear on the questions that compel human beings made him as much a philosopher as a literary figure. After being invited into the organizational world, where he used poetry to bring a new understanding of conversational leadership, he was even harder to categorize in the literary world.

And yet his poetry has always stood independent of any context in which he has worked, with a readership looking at the poetry for its own sake. For example, despite having spoken on the issue for over twenty years, he has almost no poetry directly written about the workplace. His work looks at the larger, timeless relationship of human beings to their world, to their relationship with creation, with others or with death. He looks at the sufferings and joys that come with revelations and the necessities of belonging to specific families, peoples and places. His work also chronicles a close relationship to landscapes and histories, especially those of his native Yorkshire, Ireland, Wales and his more recent home in the Pacific Northwest of the United States.

David Whyte's steadily burgeoning readership and listenership grew organically in almost all corners of the globe until it finally created a critical mass of recognition. In the last few years he has begun to appear at literary gatherings in the US and the UK such as the Oxford, Ledbury, San Miguel and Ojai poetry festivals and his poetry is beginning to be spoken of in the same breath as other major contemporary, Irish American and English poets.